Adolovni Acosta

Adolovni Acosta’s “realization (Debussy Preludes, Book I) was entirely successful, her sensibility and her wide range of colors mirroring the composer's, her response to the wit, the humour and the subleties of these pieces unfailingly perceptive. From the opening Prelude.. it was evident that devotees of Debussy, as well as connoisseurs of piano-playing would be favoured with music-making of fine quality” wrote Reviews of London Recitals. “A name to remember” wrote Le Parisien Libéré.